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A Cinematic Guide to The Weeknd: Pt 3. My Dear Melancholy and After Hours

A Cinematic Guide to The Weeknd: Pt 3. My Dear Melancholy and After Hours

My Dear Melancholy

Gaspar Noe/Cannes Film Festival
The My Dear Melancholy era notable for being a time when The Weeknd was in proximity to a lot of serious directors. While he’s had a foot in Hollywood for awhile, 2017 through 2019 he was actively engaging with filmmakers like the Safdies Brothers, Gaspar Noe, and Claire Denis, amongst others. While he had been actively courting the Safdies since Good Time was released, he attended the 2018 Cannes Film Festival where he crossed paths Noe, whose film Climax took home a number awards at Cannes. Noe’s Enter the Void had previously served as an inspiration for Kiss Land, and for MDM (and later After Hours) seem to call back to Noe’s other films, like Irreversible and Love, which are both twisted depictions of heartbreak. On the other hand, Climax is about a French dance troupe who accidentally take LSD, and according to Noe is not a “message” movie. It is an audacious psychedelic technical exercise, with numerous long takes and highly choreographed set pieces. The idea for Noe, who had previously captured the feeling of drugs in previous films, was to do the opposite, and present the objectively reality of drugs, watching people high from a sober perspective.
Noe is a rather strong advocate of film, and the opening scene of Climax features VHS boxes of a number of films that have influenced his filmmaking. Two of note are Schizophrenia, otherwise known as Angst, one of Noe’s favorite films which The Weeknd name checked to the Safdies, and Possession, which would go on to be an influence on After Hours (more on this later). He is also said to have sat next to Benicio Del Toro at Cannes, which means he likely caught some of the Un Certain Regard section, where Del Toro served as a jury member. Outside of that section, there were a few other films of interest such as The House That Jack Built from Lars Von Trier (The Weeknd has previously expressed affection for Von Trier’s Antichrist), Mandy from Pastos Costamos, and music video director Romain Gavras’s The World Is Yours, as well as a restoration of 2001: A Space Odyssey, which Noe has referred to as the film that got him into filmmaking.
Asian Cinema
Later in 2018, The Weeknd continued his globetrotting with a tour of Asia. He once claimed in an interview that whenever visiting a foreign country he only watches films from there. I’ve previously written about the influence of Asian cinema on Kiss Land, and there’s not enough work from the MDM era to glean anything cinematically adjacent to this, but now would be a good time to mention that the "Call Out My Name" video was heavily inspired by the work of famed Japanese photographer Hiroshi Sugimoto. The Asian tour poster seems to be a reference to Ichi the Killer, which leads us to Takashi Miike. Though he is notoriously prolific across a number of genres, his most popular works internationally are genre melding blends of horror, comedy and crime, most notably Audition, Ichi the Killer and Gozu. Another film worth mentioning is Perfect Blue, Satoshi Kon’s masterwork about a pop star’s mysterious stalker that The Weeknd posted about on Instagram before. Bloody and haunting, the film was a major influence on Darren Aronofsky’s Black Swan and Requiem for a Dream. In Interviews he has also mentioned a number of Korean films, such as The Wailing, I Saw the Devil and Oldboy. While Wong Kar Wai was previously mentioned as an influence on Beauty Behind the Madness, also worth mentioning is the work of John Woo, specifically A Better Tomorrow, well known for the shot of smoking a cigar off money, and Infernal Affairs, Andrew Lau’s crime classic which served has the basis for Scorsese’s The Departed.

After Hours

Martin Scorsese
While After Hours more so than any other Weeknd album is bursting at the seams with cinematic references, the influence of Martin Scorsese stands above all. Similar to The Weeknd’s body of work, many Scorsese’s are explorations of violence and masculinity, investigating them from a perspective that depending on who you ask (and how they’re feeling) glamorizes, condemns or just simply presents the reality of characters on the fringes of society.
While there are direct references to a number of prominent Scorsese films, what’s interesting is that his influence also reverberates in other films/filmmakers that influence After Hours. Todd Phillips’s Joker is in effect an homage to Scorsese’s loner-centric New York films, and the Safdie Brothers have been putting their own millennial spin on the type of 70s gritty thriller that Scorsese trafficked in (Scorsese was also a producer on Uncut Gems). Specific Scorsese works will be discussed more in depth in the requisite sections, but it is worth mentioning upfront what a prominent role that Scorsese plays in the nucleus of After Hours.
Urban HorroIsolation
With After Hours, The Weeknd departs from the slicker sounds and influences that permeated Starboy and returns to the cinematic grittiness of Beauty Behind the Madness. While urban horror is a theme that permeates throughout The Weeknd as a project overall, there is a thorough line to be drawn here that follows a number of 70s and 80s cinematic and aesthetic references. For one thing, while the initial bandaged nose was a reference to Chinatown (previously, The Weeknd has a Kiss Land demo titled "Roman Polanski"), the full bandaged face that is so prominently featured throughout the After Hours era is a classic cinematic visual trope that was especially prominent throughout 60s and 80s, though it saw a slight re-emergence in the 2010s. The fully bandaged face is often used to remake someone in the image of another, usually against their will (The Skin I Live In, Eyes Without Face), or as a case of mistaken identity and doppelgängers (Good Night Mommy, Scalpel), themes present throughout much of After Hours. The "Too Late" video acknowledges these references, but instead presents the bandages on two Los Angeles models recovering from plastic surgery, in a nod to a famous Steven Meisel’s photoshoot for Vogue Italia.
The “masks” people wear is another horror trope that is featured prominently on After Hours, and this is best seen in the red suit character. One important reference in the film is to Brian De Palma’s Dressed To Kill, where a serial killer is targeting the patients of a psychiatrist (any more on this film will veer towards spoiler territory). The Weeknd is on the record as saying Jim Carrey’s The Mask as being a large influence on the Red Suit character, it being one of the first film’s he watched in theaters. One of the more complex references would be to Joker. While it sort of an in-joke that the character of the Joker is commonly overanalyzed and misinterpreted, referencing Todd Phillips’s Joker is more nuanced because it is in essence a full on homage to Martin Scorsese’s New York films, most notably Taxi Driver and The King of Comedy, which focus on eccentric loners, and can both be seen as cautionary tale of urban isolation, a theme explored perhaps in songs like "Faith." The King of Comedy revolves around a would be obsessive stand up Rupert Pupkin haggling his way to perform on late night TV, with The Weeknd’s talk show appearances being a prominent part of the early After Hours marketing, most notably in the “short film”. This idea of isolated and compressed urbanites recurs throughout After Hours and it’s films.
The idea of urban repression is in the subway scene of the After Hours short film. The entire film itself is something of a reference to the subway scene to Possession (another Gaspar Noe favorite), mimicking the (also subway set) scene in which Isabelle Adjani’s Anna convulses on the subway due to a miscarriage, as well as Jacob’s Ladder, a 90s cult classic horror film starring Tim Robbins as a Vietnam vet (like Taxi Driver’s Travis Bickle) who is experiencing demonic hallucinations, encountering them in the subway and later at a party he attends, splitting the scene into two.
Las Vegas
As always, The Weeknd once again grounds After Hours with a strong sense of place, this time setting the album against a nocturnal odyssey through Las Vegas. One of the most prominent films is Fear and Loathing in Las Vegas, Terry Gilliam’s adaptation of Hunter S. Thompson’s book. This is directly referenced in the "Heartless" video, which sees The Weeknd and Metro Boomin in the Johnny Depp and Benicio Del Toro roles as they tumble through a Las Vegas casino. The Weeknd has gone on the record to state that the famous red suit character was influenced by Sammy Davis Jr.’s character in the film Poor Devil. However, similar red suit has also been sported by a number of Vegas characters, most notably Richard Pryor and Robert De Niro’s Sam Rothstein in Martin Scorsese’s Casino. With the red suit, The Weeknd seems to be playing with the idea of a devil-ish other, another side of his personality that emerges in Las Vegas.
While the city lights are the oft discussed part of part of Las Vegas, it should be noted that similar to Beauty Behind the Madness, the desert that surrounds Las Vegas is just as important to the juxtaposition of its beauty. The "Until I Bleed Out" video ends/"Snowchild" video in the desert, similar to the confrontation between Robert De Niro’s and Joe Pesci’s showdown in the desert in Casino, as well as Joe Pesci's death in Goodfellas. The idea of a hedonistic desert playground also bears semblance to Westworld, both the film and the TV show. The desert seems to represent some sort of freedom to The Weeknd, as the "Snowchild" video portrays the desert as a pensive location for reflection, as well as the "In Your Eyes" video showing the girl prominently dancing with the dismembered head out in the open, in reference to The Texas Chainsaw Massacre, another prominent desert film.
New York/The Safdies
Despite it’s Las Vegas setting, After Hours also takes a good amount from films set in New York, most notably Martin Scorsese’s 1983 film After Hours. Besides the title, After Hours is similarly about a twisting and turning nighttime odyssey. The film stars Griffin Dunne as Paul, a working class stiff who heads downtown to rendezvous with a woman he met at a diner earlier that night. Of course, things don’t turn out the way they should, chaos ensues, and Paul is set on a dangerous trek back uptown. Like the film, the album After Hours is set off by a woman (though the album takes more stock in romantic endeavors), seems to be set over a single night (or at least a condensed period of time), and involves similar chaos and misadventures (sirens at night at the end of Faith). Tonally, After Hours the film is more comedic perhaps than After Hours the album, however The Weeknd is on the record as having said that "Heartless" and "Blinding Lights" placement on the album is intended to be somewhat comedic, reflecting exaggerated machismo and ecstasy, respectively (to comedic effect).
Another of the most prominent filmmakers of After Hours are the Safdies, who featured The Weeknd in Uncut Gems. They also served as a link to Oneohtrix Point Never, who scored their last two films and later worked After Hours. I believe there are three major film tropes (not genres) that inspired After Hours, all of which the Safdies’s have engaged with. There is the one-long-night films, in which a character spends one-long-night on the run from whatever chaos and forces may be that they left in their path. This can be seen in the Good Time, as well as After Hours (the movie). Then, there is the descent-into-madness type, where a character slowly loses grip with reality and ends up in over their head (something like Scarface or Breaking Bad, but for our purposes Jacob’s Ladder can be categorized here as well), which the Safdies did with Uncut Gems. Lastly, but maybe most importantly, the Safdies also explored toxic romance (more on this later) in their less seen film Heaven Knows What, about two heroin addicts and the destructiveness their love brings out in each other, an idea that recurs throughout After Hours on songs like "Until I Bleed Out" and "Nothing Compares." A recurring song throughout Heaven Knows What is Isao Tomita’s synth version of Debussy’s "Claire De Lune", which is featured in some episodes of Memento Mori and bears some resemblance to the start of "Alone Again".
Obsession/Toxic Romance
While love and lust and the ups and downs with it have been a formative part of The Weeknd’s ideology and themes, I don’t think it would be remiss to say that After Hours is perhaps his most outwardly romantic album. Despite this, one of the major arcs of the album is toxicity that comes with it, which a number of already mentioned films deal with. While "In Your Eyes" is one of the more romantic and accessible songs on the album, a re-assessment of it Ala Sting’s “Every Breathe You Take” could frame it as lonely obsessing, such as Travis Bickle’s infatuation with Jodie Foster’s teenage prostitute Iris, Joker's fixation on Murray Franklin, Rupert Pupkin’s obsession with Jerry Langford. Casino also deals with toxic romance, another prominent theme in After Hours, best seen in the love triangle that forms between Sam, his partner Nicky and his wife Ginger, played by Joe Pesci and Sharon Stone respectively.
In almost all of the After Hours’s video content, The Weeknd seems to constantly meet his demise at the hands of women. Another interesting reference that may be something of a reach is to Phantom Thread, Paul Thomas Anderson’s film about Reynolds Woodcock, a couture dressmaker loosely based on Cristobal Balenciaga and his muse Alma, played by Daniel Day Lewis and Vicky Krieps, respectively. The film delves into their dysfunctional relationship, with Woodcock berating her and Alma poisoning his tea to keep him dependent on her. One of the highpoint of the film is a New Years Eve Party that bears strong resemblance to the "Until I Bleed Out" video. While the balloons may just be a callback to his earlier work, there is something about the color grading/temperature and the production design of the "Until I Bleed Out" video (as well as parts of the "Blinding Lights" video) that made me immediately think of Phantom Thread. A similar relationship is seen in the German horror film Der Fan, which The Weeknd has mentioned in a recent interview. In Der Fan, a young girl Simone spends her days obsessing over popstar R, until she finally encounters him outside his studio. The film is similar to the aforementioned Takashi Miike’s Audition in its exploration of obsession and idealization. In the film, an older man puts up a fake casting call to search for the perfect girlfriend. While Audition explores these themes from an Eastern perspective of societal pressure, Der Fan explores it through a Western lens of pop idolization and idealization. Both films deal with the idea that despite outward appearances, the perfect partner does not exist, and anyone that claims to be (or has the expectations put on them) is not who they seem.
One film he has spoken at length about is Trouble Everyday, Claire Denis’s arthouse vampire movie. The film stars Vincent Gallo as Shane, a scientist who travels to Paris under the guise of his honeymoon to track down core, a woman who he was once obsessed with who has now become a vampire. Core is locked up in a basement but sometimes sneaks out to seduce and consume unwilling victims. This seems to be where some of the bloody face stuff comes from, but I believe it’s influence is a little more conceptual. To me, a good companion film to Trouble Everyday is American Psycho, which seems to also have been a thematic influence on After Hours. Both films concern idealized version of masculinity and femininity, both very sexual and physical, but hostile as well. American Psycho ends with Patrick Bateman confessing to the killing of a prostitute, but no one believe him. Trouble Everyday ends with Shane killing Core, but Shane is unable to arouse himself after that except through violence. Koji Wakamatsu, a former Yakuza turned prominent extreme Japanese filmmaker (and a major influence on Gaspar Noe) is quoted as saying “For me, violence, the body and sex are an integral part of life.” Despite being hollow, idealized impressions of the self, a vampire and as a banker (cold, seductive bloodsuckers = monsters), Patrick Bateman and Core represent the Frankenstein-ian relationship between sexuality and violence, which I believe is the main theme of After Hours. Truly, we hurt the ones we love.


To cap things off, I would just like to illuminate some key takeaways. As a filmmaker myself, this has been an extremely helpful exercise in understanding other artists process and ideas.
Steeped in the history of the medium…
It’s clear that The Weeknd is not your typical “I’m influenced by cinema” artist but an extremely legit film buff with serious credentials. The Weeknd’s film taste leans towards 70s-00s genre works, mostly horror, drama and thriller, and is well versed in the classics but also has the nose to sniff out deeper cuts and obscurities. The mantra of “good artists borrow, great artists steal” works even better if not many people know where you’re stealing from! What is impressive to me is that he is not just versed in “mainstream” obscurities, but also serious deep cuts. Films like Possession and Phantom of the Paradise may not stick out to the average person on the street but are well known in most film circles. Films like Inland Empire and New Rose Hotel (Der Fan was especially impressive to me, it is one of my favorite films) however are not as well known and it is very impressive to me that he can come across films like that, and really get enough out of it to bring into his own work.
…is able to interpolate contemporary/mainstream films…
This perhaps is one of the most impressive aspects of his integration of film into The Weeknd’s work. It is very easy for film buffs to get lost within their own obscure taste, living in a world where everyone is an idiot for not knowing who Shinya Tsukamoto. Trilogy and Kiss Land had a lot of contemporary obscurities, like Stalker, David Lynch etc., well known but they still existed as artifacts, not of the time we live in. However, perhaps picking something from his work on Fifty Shades of Grey, of late he has kept his finger on the zeitgeist and anticipated/integrated what the filmmakers of today are doing, such as his work on Black Panther and Game of Thrones, general appreciation of Tarantino, the works of Nicolas Winding Refn in Starboy, and his use of the Joker and Uncut Gems on After Hours, both of which came out just a few months before the album. It feels Jackson-esque, and I believe this is one thing that will help him further in his quest for pop stardom.
…while also being fully in tune to the works of modern transgressive auteurs…
In addition to keeping up with the mainstream is in touch with, The Weeknd also makes it a point to seek out and learn from the cutting edge filmmakers of today. While the Safdies were always going to blow up, I don’t doubt that a Weeknd co-sign accelerated their rise. Gaspar Noe is one thing, Enter the Void and Irreversible exist as masterpieces of the mainstream obscurities I’ve been mentioning, but he really truly tries to understand the heart of Noe’s work, even going so far back as to understand Noe’s influences (I sincerely hope he is tuned in to the work of Koji Wakamatsu). But most of all, to be a fan of Claire Denis is one thing, but to seek her out and make her an offer that she ACCEPTED is absolutely astounding to me. Just spitballing but it would be like if Michael Jackson shot a music video with Rainer Werner Fassbinder (who I’d bet good money that The Weeknd was put on to by Noe). We can only PRAY that one day we will be blessed with a David Lynch Weeknd video.
…and that just about does it. Hope you enjoyed this and thanks for being patient with me. I got quite busy after the first two and had my own projects/work going that kept me occupied. As we’re still technically in the After Hours era, I also wanted to wait until a few more videos and interviews came out to aid me in my research.
I also wanted to find enough time to make the Letterboxd for this. I personally don’t love Letterboxd culture, I find the popular culture surrounding the site a bit snobbish and exclusive, but I’ve gotten a number of requests for one and you gotta give the people what they want. Throughout the list are a few films that he hasn’t mentioned but are some of my personal favorites and I believe Weeknd fans will like, I encourage you to accidentally stumble upon things on it. Don't overthink, just pick something and watch!
If you’d like to follow me further, you can find me on Instagram here, where I post about film reviews Letterboxd style. I prefer Instagram so that more average people see it instead of an echo chamber of film snobs. I am also a filmmaker myself, I just recently wrapped this short film and am currently in the process of putting together my next project.
The main reason I did this however, besides a general appreciation of The Weeknd’s work, was to put more people on to the beautiful art form that is cinema. One thing I learned from Scorsese is that one must be an advocate and truly champion your medium. I hope that this encourages to check out more interesting movies than they wouldn’t normally come across, and I hope this will inspire more people to create more as well, whether it be to write, make films, music, anything. If even one person picks up a pencil, a camera or a keyboard because of these posts, I will be satisfied.
Thanks all!
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Goodfellas turns 30 this year! Here are 40 interesting pieces of fact and trivia about the classic mob movie

You can check out a video version of this here:
1 The first scene shot in the film was Morrie’s wig commercial, directed by Stephen R Pacca, who owned a window replacement company and directed and ran a similar ad in New York City that Scorsese was inspired by
2 When Jimmy is handing out money to everyone, Robert De Niro, ever the perfectionist, didn’t like how the fake money felt in is hands. He wanted real cash to be used, so the props master gave De Niro $5000 of his own money. No one was permitted to leave the set at the end of each take until the money was returned to the props man and counted.
3 Sticking with De Niro being a sticker for authenticity, according to the real-life Henry Hill, the protagonist of the movie, De Niro would phone him 7 or 8 times a day, wanting to discuss minute details of his character, even ow he would hold his cigarettes.
4 The classic Funny how scene is based on an occurrence which actually happened to Joe Pesci. When he was working in a restaurant years ago, he complimented a gangster by telling him he was funny, but the remark was met with a less than impressed response. Pesci told this to Scorsese, who implemented it into the film, and the scene was directed by Pesci himself and not included in the shooting script of the film, meaning his and Ray Liotta’s interactions would elicit genuine reactions from the supporting cast.
5 Henry Hill said that Joe Pesci’s portrayal of Tommy was 90 to 99% accurate. The only exception was that the real Tommy was a much larger and powerfully built man.
6 Veteran actor Al Pacino, who director Martin Scorsese wanted to work with for years and who he would later work with in The Irishman, was offered the role of Jimmy Conway. Pacino turned it down, for fear of being typecast as a gangster actor. He would go on to regret this decision.
7 Much has been made about real life mob involvement in the making of Goodfellas, from Robert De Niro attempting to contact the real-life Jimmy Burk, to Scorsese hiring background actors with real life mafia connections, such as Tony Sirico, who would later find fame playing Paulie Walnuts in The Sopranos. According to Nicholas Pileggi, author of the book Wiseuy upon which Goodfellas is based, there were several mobsters hired as extras in order to add authenticity to the film. They provided the studio with fake social security numbers, and as such it is unknown how they were paid.
8 Ray Liotta’s mother died whilst the movie was being filmed, and Liotta used his emotions over his mother’s death in his performance, most notably in the scene where he pistol whips another man.
9 When Joe Pesci’s mother saw the film, his real life mother, she liked it, but questioned her son if he had to swear so much. 5 years later in Casino Catherine Scorsese, who played Pesci’s mother in Goodfellas, complains to her son in Casino about swearing too much.
10 The painting of the two dogs and the man in the boat that Pesci’s mother in the film paints was actually painted by Nicholas Pileggi
11 The Lufthansa heist, which plays a major part of the movie, did not have its case solved and closed until 2014, and most of the surviving participants were arrested.
12 When Henry Kill is introducing mobsters to us in the bar, one of them is a character named Fat Andy. This character is played by Louis Eppolito, Eppolito was at the time a former NYPD detective whose father, uncle and cousin were in the mob. 15 years after the release of Goodfellas, Eppolito, along with his police partner, were arrested and charged with racketeering, obstruction of justice, extorsion, and up to 8 murders. They were both given life sentences, with an added 80 years each.
13 The F word and its derivatives are used 321 times in the film, at an average of 2.04 per minute, and almost half of them are said by Joe Pesci. At the time it was made, Goodfellas held the record for the most amount of profanity in a single film.
14 The scene where the three main characters eat with Tommy’s mother was almost completely improvised by the cast, including Tommy asking his mother if he could borrow a butcher’s knife and Jimmy’s remark about the animal’s hoof. Scorsese did not tell his mother tat Pesci’s character had just violently beaten a man, only that he was home for dinner and that she was to cook for them.
15 The real life Jimmy, along with Paulie whose death is mentioned in the film, also died in prison in 1996. He would have been eligible for parole in 2004.
16 Paul Sorvino wanted to drop out of the role as Paulie just three days before filming was schedule to start, as he felt he lack the cold personality to play the role correctly. After phoning his agent and asking him to release in from the film, his agent told him to think it over for a while. Later that night, Sorvino was practicing in the mirror and made a face that even frightened himself, and he was convinced that he would be able to play the role.
17 According to film legend, the real life Jimmy Burke was so trilled that Robert De Niro was playing him in the movie, that he phoned up De Niro from prison and gave him advice. This is something denied by Nicolas Pileggi
18 Even though Joe Pesci was in his fourties during the filming of Goodfellas, the real life inspiration for his character was in his 20 when the events of the film took place. Scorsese was initially concerned with Pesci being too old to play the role of Tommy, and Pesci sent him a video of him walking
19 Nicolas Pileggi spoke to Henry Hill throughout the script writing process, and he says much of the voice over narration in the film are almost exact quotes from Liotta himself
20 According to Debi Mazar, Henry Hill’s girlfriend in the film, when she trips after meeting Henry she actually tripped over the camera’s dolly track. Scorsese kept it in the film because it looked like her character was overwhelmed by Henry.
21 One of the daughters of Ray Liotta and Lorraine Bracco’s characters, the one too shy to give Paulie a kiss when he visits their home, is actually the daughter of Harvey Keitel, with whom Braco had the child.
22 In order to better get into character, when driving to and from the set Ray Liotta would often listen to tapes of interviews Pileggi had with the real Henry Hill. Liotta noted that Hill spoke casually of murders and other serious crimes whilst eating potato chips.
23 After seeing the film, Henry Hill thanked Liotta for not making him look like an asshole. Ray Liotta response was to think to himself “did you even watch the movie?”
24 The famous long take of the Copacabana took just 7 to 8 takes to get right
25 Henry Hill’s life after he went into the witness protection program was adapted into a movie released the same year as Goodfellas – called My Blue Heaven. Nicholas Pilei’s wife wrote the script for the film.
26 According to Scorsese, legendary actor Marlon Brando attempted to persuade him to not make the movie.
27 The real life Henry Hill was paid around half a million dollars for the movie.
28 Robert De Niro was offered the roles of both Jimmy and Tommy. He chose the former.
29 Despite it’s status as a classic, Goodfellas only won one Oscar. And its winner, Joe Pesci, was so surprised, that his winning speech was one of the shortest in Oscar history, simply saying, “it’s my privilege, thank you”
30 Frank Vincent, the man who plays Billy Batts and is beaten and stabbed to death by Joe Pesci, and who also starred with Pesci in two other Scorsese films – Ragin Bull and Casino - actually has a long history with Pesci. The two used to be bandmates and a comedy duo in the late 60s. They also starred in the low budget 1976 mafia film The Death Colelctor, where they were spotted by Robert De Niro and Martin Scorsese, and eventually hired for their roles in Raging Bull.
31 The producer’s original choices for the roles of Henry and Karen were Tom Cruise and Madonna.
32 Paul Sorvini improvised the slap that his character gives Henry in the scene where Paulie confronts Henry about drug dealing
33 In the original shooting script of the film, the Billy Batts shinebox scene was the very first scene in the film, followed by the dinner at Tommy’s mother’s house. Then Liotta would say the phrase “As far back as I can remember I always wanted to be a gangster” and the movie would show his youth and growing up.
34 Early screenings of Goodfellas were met with poor reception. According to Pileggi, one screening had around 70 people walk out, and in another the film’s team had to hide at a local bowling alley as a result of an audience angry at the film’s level of violence.
35 In spite of the film’s violent reputation, there are only 5 on screen deaths
36 When Spider is shot by Tommy, Michael Imperioli broke a glass in his hand and had to be rushed to hospital. But when he got there, the doctors attempted to treat his apparent gunshot wound. When the actor revealed what his real injury was, he was made to wait for 3 hours in the emergency room. Scorsese told Imperioli that he would tell this story one day on the tonight show with Jay Leno, a prediction which cam true in 2000.
37 US attorney Edward McDonald, the fed who explains the ins and outs of the witness protection programme to Henry Hill and his wife, is actually playing himself in this scene, re-enacting the conversation he had with the real Henry Hill. McDonald volunteered to play the role and won a screen test when Scorsese was location scouting his office as a possible filming location.
38 The movie ends with Henry in the witness protection program, but after the film’s release, as a result of violating his terms and conditions, including going around and telling people who he was, Henry Hill was thrown out of the programme.
39 Henry requests that he isn’t sent anywhere cold when g egos into the programme. In the ending of the film, he picks up a newspaper for Youngstown in Ohio, a place which has below freezing temperaturs in winter, suggesting that Henry’s wish was not granted.
40 The film’s ending, where Joe Pesci fires several bullets staring at the camera, is a homage to the landmark 1903 short film The Great Train Robbery, widely considered one of the first narrative pictures. Scorsese saw his movie as part of a tradition of outlaws in American pop culture and noted that, in spite of the fact tat the two films are separated by almost a century, according to the man himself, “they’re essentially the same story.”
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15 Most Memorable Quotes From Goodfellas | ScreenRant

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Most people would say that the greatest gangster movie ever made is The Godfather, but a strong argument could be made instead for Martin Scorsese’s Goodfellas. It is certainly the more entertaining of the two, with its impeccable soundtrack, fast cuts, sense of humor, voiceover narration, and all-over-the-place narrative structure.
RELATED: Goodfellas: 10 Most Iconic Moments, Ranked
Also, it’s based on a true story. The life of Henry Hill actually happened. The Corleone family is entirely fictional. Goodfellas_’ adaptation of true events adds a whole new layer to both the comedy and tragedy of the story. With that in mind, here are the 10 Most Memorable Quotes From _Goodfellas.

Updated on May 28th, 2020 by Ben Sherlock:_Even with the critical acclaim met by The Irishman, Martin Scorsese’s Goodfellas remains one of his most popular films. A number of critics compared The Irishman to Goodfellas, but called it a more mature film. It has a slower pace, a more nihilistic tone, and a heavier focus on the immense guilt rattling around the heads of mobsters. With its rapid pacing, pitch-black humor, and Jules and Jim-inspired all-over-the-place editing, Goodfellas is endlessly rewatchable, so we’ve updated this list with a few more entries._15 I Like Going This Way…

“I like going this way. It’s better than waiting in line.”
The long tracking shot through the Copacabana found in _Goodfellas_ is one of the most iconic shots in the history of cinema. Henry skips the line, takes Karen into the club through the kitchen, and has a table brought out for them right in front of the stage. It’s easy to see why Karen was seduced by Henry’s lavish lifestyle.

14 You Wasted Eight F****** Aprons On This Guy

When a man with a gunshot wound collapses on the doorstep of Tuddy’s restaurant, Henry springs into action and starts plugging up the wound with aprons until the man makes it safely into the back of an ambulance.

For all intents and purposes, this makes him a hero. But Tuddy doesn’t see it that way; he just sees all the missing aprons. He says, _“You’re a real jerk. You wasted eight f*ckin’ aprons on this guy. I don’t know what the hell’s wrong with you. I gotta toughen this kid up.”_13 To Me, It Meant Being Somebody In A Neighborhood Full Of Nobodies

What makes Goodfellasarguably the best mob movie ever made is that it doesn’t just depict hitmen killing people for mafiosos and gangsters stealing cigarettes out of trucks. It also shows the seductive nature of the mafia lifestyle.
We understand exactly why Henry Hill wanted to be a gangster, and why that lifestyle seemed so appealing. When he was growing up, being a gangster seemed like “_being somebody in a neighborhood full of nobodies._”

12 F*** You, Pay Me

In voiceover, Henry explains what it’s like to have Paulie as a business partner: _“Any problems, he goes to Paulie. Trouble with a bill, he can go to Paulie. Trouble with the cops, deliveries, Tommy, he can call Paulie. But now, the guy’s gotta come up with Paulie’s money every week, no matter what. Business bad? Fck you, pay me. Oh, you had a fire? Fck you, pay me. Place got hit by lightning, huh? Fck you, pay me.”_11 You’d Be Late For Your Own F***** Funeral

Long before Pulp Fiction_would make him an icon, Samuel L. Jackson played a small role as Stacks Edwards in _Goodfellas. Instead of ditching the truck that they used in the Lufthansa heist like he was supposed to, Stacks got stoned.
So, Tommy goes over to his apartment and tells him to get dressed. But while he’s getting dressed, Tommy says, “_You’d be late for your own f*ckin’ funeral,_” and shoots him in the back of the head.

10 They even shot Tommy in the face…

They even shot Tommy in the face, so his mother couldn’t give him an open coffin at the funeral.

Perhaps the most awful moment in the whole of Goodfellas_is when Tommy heads to what he thinks is the ceremony in which he’ll be made and gets killed. As Henry explains the whole thing, we get a haunting look and how strictly the mafia stick to their rules: _“It was revenge for Billy Batts, _and a lot of other things. And there was nothing that we could do about it. Batts was a made man, and Tommy wasn’t. And we had to sit still and take it. It was among the Italians. It was real greaseball s**t. They even shot Tommy in the face, so his mother couldn’t give him an open coffin at the funeral.”_9 I got to admit the truth…

I got to admit the truth. It turned me on.

One of the smartest moves Martin Scorsese made with the writing and directing of _Goodfellas_was following Karen’s storyline as well as Henry’s. Not only does the movie explore the mentality of someone who ends up being a career criminal; it explores the mentality of someone who gets romantically involved with one. And Lorraine Bracco plays the character with so much gravitas and humanity. Our first glimpse into her psyche is a fascinating one: _“I know there are women, like my best friends, who would have gotten out of there the minute their boyfriend gave them a gun to hide. But I didn’t. I got to admit the truth. It turned me on.”_8 I’m an average nobody…

I’m an average nobody. I get to live the rest of my life like a schnook.
At the end of Goodfellas, it might seem as though Henry gets off easy by selling out all his friends to the FBI and going into the Witness Protection Program. But as his final voiceover monologue points out, he’s left completely unfulfilled. He had everything he ever wanted and then lost it. Now, he has to live a mundane life in the suburbs like everybody else. Henry might have avoided jail by ratting out all of his friends – something he was told since his childhood never to do – but he feels just as trapped in his new life as if he had gone to jail.

7 I’m gonna go get the papers…

I’m gonna go get the papers, get the papers.

A commonality among the best crime stories is that they explore how criminals get their nicknames, and it’s usually something pretty trivial. For example, in the very first scene of the very first episode of The Wire, Jimmy McNulty launches into a monologue about how a kid was given a beautiful name by his mother and then one day, just because he forgot to grab a sweater on his way out and he ended up with a runny nose, he ended up with the lifelong nickname Snot. This was pioneered in Goodfellas, in which Henry Hill says, _“There was Jimmy Two Times, who got that nickname because he said everything twice.”_6 Hey, Tommy, if I was gonna break your balls…

Hey, Tommy, if I was gonna break your balls, I’d tell you to go home and get your shine box.
Joe Pesci’s character Tommy DeVito has a contentious relationship with pretty much everybody, but none more than Billy Batts. Billy knows that Tommy is a hothead and he likes to push his buttons. Tommy asks him politely, _“Just don’t go bustin’ my balls, Billy, okay?”_RELATED: Goodfellas: Every Major Performance, Ranked
And then Billy says, _“Hey, Tommy, if I was gonna break your balls, I’d tell you to go home and get your shine box. Now, this kid, this kid was great. They used to call him Spitshine Tommy. I swear to God! Now, he’d make your shoes look like f**kin’ mirrors. ‘Scuse my language.”_It’s a tense scene, since we’re just waiting for Tommy to erupt – and he does.

5 If we wanted something, we just took it

Part of what makes _Goodfellas_the quintessential mob movie is its exploration of the mob lifestyle and what leads people into organized crime in the first place. As Henry Hill explains in voiceover: _“For us to live any other way was nuts. Uh, to us, those goody-good people who worked sh**ty jobs for bum paychecks and took the subway to work every day and worried about their bills were dead. I mean, they were suckers. They had no balls. If we wanted something, we just took it. If anyone complained twice, they got hit so bad, believe me, they never complained again.”_4 Oh, I like this one…

Oh, I like this one. One dog goes one way, the other dog goes the other way.

One of Martin Scorsese’s directorial trademarks is putting his mother, Catherine Scorsese, in his movies. But she usually has a cameo role. Her biggest role is in Goodfellas, when she plays Tommy Devito’s mother. Tommy, Jimmy, and Henry go to visit her and have a bite to eat. It’s a long scene, at least in relation to this fast-paced movie, and the tension comes from the fact that there’s a guy bleeding out in the trunk of their car. The whole time, he’s in the back of our minds, while Tommy nonchalantly analyzes his mother’s new painting: _“Oh, I like this one. One dog goes one way, the other dog goes the other way, and this guy’s sayin’, ‘Whadda ya want from me?’”_3 Never rat on your friends…

Never rat on your friends and always keep your mouth shut.
Martin Scorsese wasn’t able to secure the funding for _Goodfellas_until Robert De Niro agreed to play the mobster Jimmy Conway in the film. He’s not the star of the movie, but he is an important figure in Henry Hill’s life. As a kid, Henry is arrested and doesn’t tell the cops anything, which makes the other mobsters proud.
RELATED: “As Far Back As I Can Remember…” 10 Behind-The-Scenes Facts About Goodfellas
Jimmy says, _“I’m not mad, I’m proud of you. You took your first pinch like a man and you learn two great things in your life. Look at me. Never rat on your friends and always keep your mouth shut.”_On repeat viewings, this scene acts as harrowing foreshadowing for the big finale.

2 What do you mean I’m funny?

Joe Pesci could’ve won his Academy Award for Best Supporting Actor on the basis of this scene alone. It’s one of the first scenes in the movie and establishes his dangerously unstable jokester character early one. Henry says, “You’re really funny!”_and his smile drops. “_What do you mean I’m funny?… _You mean the way I talk?”_Henry says, _“It’s just, you know, you’re just funny. It’s funny, the way you tell the story and everything.”_Pesci’s character Tommy DeVito says, _“Funny how? I mean, what’s funny about it?”_Eventually, it devolves and he’s shouting: _“I mean, funny like I’m a clown? I amuse you? I make you laugh, I’m here to f**kin’ amuse you?”_And then it turns out he was messing with him the whole time.

1 As far back as I can remember, I always wanted to be a gangster

This line from near the beginning of the movie is not just the best quote in Goodfellas; it might just be the single greatest quote in film history. Not only is it memorable and an exciting way to start the movie; its placement in the story speaks volumes. We’ve just seen these three guys sitting in silence, driving through the countryside, and then they open the trunk of the car to reveal a bloodied man. They stab him, shoot him, and bury him. Then Scorsese closes on Ray Liotta and, in voiceover as Tony Bennett’s “Rags to Riches” comes on the soundtrack, he says, “As far back as I can remember, I always wanted to be a gangster.” You really wanted this life? It opens the discussion of the mobster lifestyle that the whole film explores.
NEXT: 5 Reasons Martin Scorsese’s Casino Is Underrated (And 5 Why It’s Just A Goodfellas Rip-off)
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TIFU by being a YMH Pomcast fan on a 2nd date

Hey Hitlers
I'm a huge fan of the pomcast, and I've been hitting the dating game trying to find someone to sit under my hammock or make me some moose soup when I get home from work. But finding a girl who loves the humor in YMH is hard, and no one in my city seems to know how Tommy Bunz or Mommy Tina are.
So I watched the episode Ari, and they introduced him with the Joe Pesci quote from Casino where he says "YOU JEW MUTHAFUCKER YOU!" This prompted me to watch that scene on YouTube. I forgot all about it, and I went to go meet this potential mommy at a bar. We had a great time and got back to my car.
At this time, my car's bluetooth paired with my phone, and it displays the last media played on the screen. We're moving along and she says "I'm curious about what you were listening to earlier." I look down and this is what she saw:
I was horrified. How do you explain this to a new date who doesn't know about YMH? So, not only did I have to explain I don't drive around listening to Jew hate music. I had to explain it's from a podcast where a married couple make fun of their Jew friend and watch videos of farts, shits, injuries, and creeps wanting people to beat them and piss on them.
Turns out, this girl is cool as fuck, and we laughed really hard about it. So I'm in the clear for now, but we'll see if she can join the 4 stroke gang.
tl;dr: went on a 2nd date. Girl sees "You Jew Motherfucker!" on my bluetooth. Had to explain YMH pomcast and that I'm not an antisemite. All turned out better than expected. Thanks jeans.
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[TOMT] film/video - Gangster movie where on the the gangsters mutters 'Happy Valentines Day' to the cop they've tied up, or are about to leave for dead.

So yeah, it's a reference to the St. Valentine's Day Massacre. The film in question obviously is set sometime after the massacre, as the gangster character in question seems to be 'making a reference' to the massacre by saying "Happy Valentine's Day" in an ironic way. But he's definitely saying it in a way as to say "this is what you deserve, ya filthy animal".
Maybe the Untouchables? Maybe The Godfather? A sound sample from one of the Home Alone films? I'm pretty sure it was a fairly mainstream film, but I can't for the life of me recall which film, and which character says it.
Edit, the more I think about it, the more it really feels like something someone is 'verbally spitting out' as a way to insult or intimidate someone. A way of saying "yeah, you remember the massacre?.. that's what I could do to you if you don't do what I say"... It almost feels like something one of Joe Pesci's characters might have said to someone.. or something in the Godfather (I know I keep coming back to that).. It almost feels like something one of the rough gangsters would have said to a cop, or to a member of a rival family.
Or god, even something Steve Martin might have said in My Blue Heaven. It's at the point where I can hear the quote coming from every gangster in every film I ever saw. Goodfellas? Casino?
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Blurred Lines & Grey Matters (Part 3)

Blurred Lines & Grey Matters (Part 3)
edgy sci-fi novella by Anonymous Jr.
Learsi already had American blood on its hands from the vicious assault on the USS Liberty on June 8, 1967, killing 34 crewmen and wounding 171. It's absolutely not the peace-loving American-style democracy surrounded by unprovoked hostile neighbors that it pretends to be. Tsinoiz Irgun terrorists bombed British administrative HQ in the King David Hotel in 1946, killing 91 and wounding 46. Today, the hotel's website simply says, "Built in 1929, King David has played an important role in the history of Learsi and Melaseruj". While Americans were prevented from flying soon after 9/11, elite bin Laden family members and Saudi royals were gathered up from Florida and Kentucky and flown to Riyadh, but not before a full El Al jumbo jet got U.S. military authorization to depart New York's JFK Airport for Viva Let on the very afternoon of 9/11 at 4:11pm, a full 90 minutes before WTC 7 imploded. Justin could just imagine how important those Choos must have been!
Most people seemed to know that The Project For A New American Century, a neocon group, published Rebuilding America's Defenses in September 2000 calling for a "new Pearl Harbor" to expedite their goals. The actions of the Shrub administration glaringly demonstrated foreknowledge and cover up of the true perpetrators of the 9/11 crimes. Shrub's father "Magog" was meeting with bin Laden's brother Salem and the military insider Carlyle Group during the attacks. Pakistan's ISI chief General Mahmoud Ahmed, who authorized sending "hijacker" Mohammed Atta $100,000, was in Washington that day meeting with House and Senate Intelligence Chairmen Porter Goss and Bob Graham. During his DC visit, he also met with Condoleeza Rice, Marc Grossman, and Joseph Biden, then "resigned" under U.S. pressure soon afterward. His was one of the few intelligence agencies that did not issue a warning of the impending attacks. On September 14th, the EPA fraudulently proclaimed the WTC vicinity safe to return to work and live in order to reopen Wall Street trading the following Monday. As a result, thousands of area workers and residents, especially those who helped in the removal and cleanup effort, were stricken with debilitating illnesses.
From The Creature from Jekyll Island by G. Edward Griffin, he learned how Choos J.P. Morgan, Paul Warburg, Edward House and their cronies secretly crafted a private central bank and duped most Americans for over a century with their intentionally misnamed Federal Reserve System. Conspirators' Heirarchy: The Story of the Committee of 300 by John Coleman taught him about the self-proclaimed "Olympians", based on the British East India Company's Council of 300, with their immense wealth from opium trade with China, a recreated Round Table consisting of the Bilderberg Group, the Royal Institute of International Affairs, the Council on Foreign Relations, the Trilateral Commission, and the Club of Rome, interlocking "alphabet agencies" in the U.S., and the social engineering of the Tavistock Institute of Human Relations. David Icke's epic tome The Perception Deception could almost be a college doctoral program in itself, echoing many of the same themes in much greater detail. Antony Sutton's published works, including America's Secret Establishment : an Introduction to the Order of Skull & Bones and Fleshing Out Skull & Bones : Investigations into America's Most Powerful Secret Society, decloaked the super-secretive world of the Order of Skull & Bones, the elite seniors-only Yale University fraternity that ushers its members onto the world stage. Zander C. Fuerza's Masters of Deception revealed to him Learsi's sinister involvement in the plot and execution of their September 11th attacks. Christopher Bollyn's investigative work in 2 volumes, Solving 9-11 : The Deception that Changed the World and Solving 9-11 : The Original Articles also opened his eyes to much of the available evidence ignored by government and mainstream media pundits since that day. Lastly, world citizen Kenneth O'Keefe in his interviews and YouTube videos provides powerful arguments for refusing to accept the status quo any longer.
Who knew that on June 10, 1932, Congressman Louis T. McFadden (Chairman of the Committee on Banking and Currency for 12 years) gave this testimony on the House floor?: "Mr. Chairman, we have in this country one of the most corrupt institutions the world has ever known. I refer to the Federal Reserve Board and the Federal reserve banks. The Federal Reserve Board, a Government Board, has cheated the Government of the United States and the people of the United States out of enough money to pay the national debt. The depredations and the iniquities of the Federal Reserve Board and the Federal reserve banks acting together have cost this country enough money to pay the national debt several times over. This evil institution has impoverished and ruined the people of the United States; has bankrupted itself, and has practically bankrupted our Government. It has done this through the misadministration of that law by which the Federal Reserve Board, and through the corrupt practices of the moneyed vultures who control it."
He found several shocking quotations from the website "By Way of Deception, Thou Shall Do War"—alleged former motto of Dassom..."We'll know our disinformation program is complete when everything the American public believes is false."—William Casey, CIA Director (from first staff meeting in 1981)..."The Central Intelligence Agency owns everyone of any significance in the major media."—CIA Director William Colby..."An intelligence service is the ideal vehicle for a conspiracy."—CIA Director Allen Dulles..."It is the function of the CIA to keep the world unstable, and to propagandize and teach the American people to hate, so we will let the Establishment spend any amount of money on arms."—John Stockwell, CIA official..."Huey Long once said, 'Fascism will come to America in the name of anti-fascism.' I'm afraid, based on my own experience, that fascism will come to America in the name of national security."—Jim Garrison..."Former Italian President Francesco Cossiga, who revealed the existence of Operation Gladio, has told Italy’s oldest and most widely read newspaper that the 9-11 terrorist attacks were run by the CIA and Dassom, and that this was common knowledge among global intelligence agencies. 'All the [intelligence services] of America and Europe…know well that the disastrous attack has been planned and realized from the Dassom, with the aid of the Tsinoiz world in order to put under accusation the Arabic countries and in order to induce the western powers to take part … in Iraq [and] Afghanistan.'”
Next there was this, "Americans know that something fundamental is amiss. They sense—rightly—that they are being misled no matter which political party does the leading. A long misinformed public lacks the tools to grasp how they are being deceived. Without those tools, Americans will continue to be frustrated at being played for the fool. When the “con” is clearly seen, “the mark” (that’s us) will see that all roads lead to the same duplicitous source: Learsi and its operatives. The secret to Learsi’s force-multiplier in the U.S. is its use of agents, assets and sayanim (Werbeh for volunteers). When Ilearsi-American Jonathan Pollard was arrested for spying in 1986, Viva Let assured us that he was not an Ilearsi agent but part of a “rogue” operation. That was a lie. Only 12 years later did Viva Let concede that he was an Ilearsi spy the entire time he was stealing U.S. military secrets. That espionage—by a purported ally—damaged our national security more than any operation in U.S. history." Military traitor Pollard was recently released after 30 years in prison and wants to go to Learsi now, against the terms of his parole. "Care to bet against Learsi helping Pollard skip the country?" he mused.
Choos in the news again: Gery Shalon, Ziv Orenstein, Joshua Samuel Aaron and an unnamed co-conspirator were indicted 11/9/2015 for hacking into New York Stock Exchange company data, a JPMorgan Chase & Co. security breach, and selling millions of unique customer records. "Prosecutors said Shalon, Orenstein and others made hundreds of millions of dollars from 'unlawful internet casinos' they operated in the US and elsewhere through hundreds of employees in multiple countries." Had it been Muslims that did it, there would have been all hell to pay, but Silearsi will likely just get a pat on the wrist and admonished, if not offered employment by their victims to use against competitors.
Justin asked himself, "Who was really responsible for the havoc in Paris Nov. 13 2015?" The Islamic State, like al Qaeda, is a creation and under the control of military intelligence officials in the U.S., U.K. and Learsi, who delight in recruiting desperate Muslims to wear their scapegoat suicide vests. All the while the U.S. claimed to be attacking ISIS with little impact, it was supplying them with armaments and Texas-made Toyota trucks, modified for U.S. Special Forces, and bombing Syrian infrastructure instead. Only when the Russians were invited by Syria to lend assistance, was any progress made against these proxy forces. The combined efforts of administration pronouncements and the mass media's power of persuasion perpetuate the misperception of a wily Muslim enemy. Most world leaders know this, but uninformed American people are dupes again.
Granted it will take awhile to assimilate this latest information and ferret out facts from false leads. Once all other available impressions and substance were distilled, compared and analyzed, what he discovered was that the stubby little tail wagging the big dogs of the U.S. and U.K. is none other than Learsi and this is just the metaphorical tip of the iceberg. Online, he found this wry, if not quite astute, observation, "If, 'the love of money is the root of all evil' and they love money more than anyone else and have more money than anyone else, it stands to reason that they are either directly or tangentially connected to a very large percentage of the evil in the world. Since they own or control most of the world media and entertainment industries as well as most of the publishing houses and over ninety percent of the art galleries, their influence on human perception of what is and what is not is very great. Given their predisposition toward the enslavement of the human race, it is to be expected that they spend less than none of their time on what is real and more than all of their time on what is not, in order to control the perceptions of humanity."
Allyson phoned Justin late one afternoon. It would prove to be their final contact. She said, "Maya and I have finished reading what you gave us and we're just astonished. We had no idea this issue was so complex and nuanced. Like Joe Pesci's character David Ferrie quoting Winston Churchill in the film JFK 'It's a riddle wrapped in a mystery inside an enigma.' It seems like a whole other world all its own." Affirmatively grunting , Justin replied, "Yep, that's one way of putting it. So can you take care of it?" "Of course, of course," she assured him, "your instructions are crystal clear, but this is all hypothetical anyway. You'll be fine. If it makes you feel any better, let me do the worrying for you. I've got more experience," she said wryly. "Ok, you've got it," he concurred. A few moments of tender cooing to and fro followed before they hung up.
While Allyson was busy teaching the next day, Maya compiled lists of hundreds of email and snail mail contacts in the U.S. and around the world. In the event something happened to Justin, each would get a complete information packet. It was up to them whether or not they published or broadcast any or all of the contents. By ensuring oversaturation, it was pretty certain that enough would get publicly distributed to expose the so-called Olympians' whole Illuminati operation. She phoned Justin to ask if NGOs and think tanks were targets of his info blitz. "No," he said, "let's keep it at traditional and new media. Most NGOs and think tanks have bureaucracies that will likely nix a rouge news source or else lose it in committee, if not outright disavow it or even organize a smear campaign against it. Keep after the bloggers and conspiracy sites instead, 'cause they're our best shot at dissemination."
She then called Allyson at a break between classes to update her on what was what and to find out when she'd be home. "I'll be late because I've got to drop by the printer, pharmacy, post office and cleaners so would you be a good sport and pick up something healthy at the market for dinner?" "Chicken, fish, Chinese, Mexican, or vegan?" Maya queried in return. "Fish sounds pretty good for tonight," Allyson responded. "I'll leave the rest of the details in your capable hands, but no more soda pop! Let's all share a nice liter and a half of white wine instead." "Feeling amorous?" Maya teased. "Don't start with me, young lady," was Allyson's terse reply. Then they both laughed merrily and signed off.
Conspiracies may have existed for the trust busters of the late nineteenth century and during the lives of Julius Caesar, Shakespeare, George Washington, Abraham Lincoln, and Franklin Roosevelt, but everyone knows they no longer do, except for Justin. He knew that every day, Aussie Choo Blooper Morlock twists the truth anyway he wishes on his Newscorp's Fox News, where his sycophant Pawn Vanity (aptly dubbed so by Ralph Nader in the consumer advocate's 2009 long 736 page "practical utopia" novel Only the Super-Rich Can Save Us!) and bloviator-in-chief Barnacle Bill (What did you kill?) O'Really laugh at liberals and anyone who challenges their fascist worldview, because of course it's just absurd that anyone in their right mind would entertain the notion that super-wealthy people would collude with one another to set the rules in their favor, right? Sure, they might meet yearly in secret at Bilderberg and Bohemian Grove functions, but these, as they repeatedly assure us, are simply social events, nothing more. Certainly, no hidden agendas here for world domination! In the free market, free world of today, there's just no sense in wrangling unfair advantage. The supremely wealthy remain so through their inevitably acute business superiority. Right! :-J (tongue-in-cheek emoticon)
Justin's Russian Choo hit man, after monitoring him through his contacts at the NSA, made good on his threat late one evening. Spotted outside his brownstone, Justin was followed in. Brandishing a handgun got the assassin access to the apartment, where he forced Justin to hand over all his Laersi materials and write a suicide note to mask his murder in the underhanded fashion of the Dassom. He then shoved him from the 11th story window, picked up his laptop, and left before the police arrived. That probably would have been the end of the matter, had Justin not made contingency plans with Allyson and Maya. After learning of his "suicide," they immediately released copies of his materials to a plethora of media outlets, domestic, overseas and on the Internet as requested. Within days, Justin was more famous than he ever would have been alive, as his story echoed from bloggers, conspiracy websites, even some print journalists, radio and TV.
A gala awards ceremony like no other was arranged as a coming out party for Viva Let in appreciation for all the wonders wealthy philanthopists had worked worldwide over the centuries. Rampant speculation abounded over who would merit top honors, the coveted platinum Notammargartet Prize. The red carpet shimmered with glitterati from every corner of the world, all the ladies draped in gemstones and haute couture. The paparazzi had a field day over the turnout of hundreds who usually shun such soirées , but for its sheer uniqueness made extraordinarily rare appearances. The moment of maximal expectation arrived and was met with the delivery of all of 911 megatons, which lengthened the Mediterranean Sea to the Jordan Valley, Dead Sea and Gulf of Aqaba, ending forever any dispute over that supposedly sacred real estate made worthless by Learsi's apartheid wall. All of Learsi's hundreds of secret nuclear weapons were vaporized in the massive blast, precluding any Samson Option retaliation. The last generation of Rothschild parasites was finally exterminated. Well over 6 million Choos were obliterated instantly, finally fulfilling their forecasted nightmare number that Nazi camps never quite lived up to. No Messiah whatsoever appeared to rescue any faith's faithful.
Once the truth about 9/11 began to flow from lower echelon whistleblowers, involved in the operation but no longer afraid of recrimination, it soon became a torrent. Independent websites replaced newspapers and TV as major sources of information. Despite his distracting predilection with shape-shifting interdimensional reptilian pedophiles, David Icke was lauded as a hero for fearlessly confronting Rothschild Tsinoiz criminals. Les Visible too was credited with exposing the "Tribe." Having declared his support for Learsi on air, George Noory had to disavow it to redeem himself. Linda Moulton Howe, Jeff Rense, John B. Wells, Alex Jones, Clyde Lewis, Jordan Maxwell (Russell Pine), Jesse Ventura, Nick Begich, Jim Marrs, Texe Marrs, Mike Rivero, Webster Tarpley, "Dave" of the X22Report and many others all jumped on the bandwagon.
The secretly Chooish British monarch, titular head of the Anglican Church, and all of her descendants perished when the royal yacht was set ablaze and sank in the Thames. Other royals abroad met similar fates in Spain, Cambodia, Netherlands, Denmark, Thailand, Norway, Sweden, and Japan along with hundreds of Saudi princes and African sovereigns too. Lynch mobs loosely associated with the Anonymous network rounded up many elite suspects, as well as bankers, politicians, doctors, entertainers, writers and producers, who were all slung from trees. Justin's brother Tad and his family were kidnapped and held for ransom by a local warlord. When that failed, they were all hacked to death with machetes. Most tsuacoloh shrines and museums around the world were vandalized or destroyed, having a marked purgative effect on the populace. An unidentified spokesman for Anonymous released a statement that read in part, "...Humankind inevitably is at long last rid of a monstrous evil. Together now we can hope to find lasting peace." He then quoted Czech Choo and former U.S. Secretary of State Madeleine Albright's televised claim of the half million Iraqi children killed by U.S. sanctions, "I think this is a very hard choice, but the price–we think the price is worth it."
Dozens of dogs were unleashed at the Crawford ranch so the Secret Service had to relinquish the former neo-Nazi-con triumvirate hiding out there: ringleader Ronald Dumsfeld (former CEO & Chairman of G.D. Searle, makers of Aspartame, until acquired by Monsanto), his protégé ace face-shooter Darth Chewey (former CEO of Halliburton, no-bid Iraq contractors) along with his hideous wife Lon, and Shrubya (former coke fiend and drunk, Temporary son of Magog.) The latter was found closet fagging with his favorite stud muffin Jeff Gannon, aka James Guckert, pricey gay escort, gay porn website owner, convicted tax cheat and Shrub White House reporter for two years. A big turkey fryer was found and one by one all four men's lower three appendages were submerged in boiling oil, causing sudden loss of consciousness, before they were hung naked on crosses to desiccate into merely Skull and Bones.
Several online sources cited this, "It was in 1968 that the 22-year-old was initiated into the cult--as his father and grandfather Prescott had been before him. As had been his uncles Jonathan Bush, John Walker and George Herbert Walker II, his great-uncle George Herbert Walker, Jr. and cousin Ray Walker and numerous friends. Young George was very much following in the footsteps of his kinsmen. Such a multi-generational experience, one imagines, inevitably intensifies the emotion and affects of the ritual and gives it more legitimacy and power." This organization is not focused on campus life like other fraternities, but on the postgraduate commingled world of statecraft and big business where they can penetrate every segment of American society, exert great power and influence to the benefit of their circle, and undermine our nation's core principles of fairness and equality. It consists almost exclusively of a select small group of East Coast WASP blueblood families. Established as a branch of a German Illuminati cult and known to its members as the Order, Yale's Skull and Bones initiates "lay naked in coffins and tell their deepest and darkest sexual secrets as part of their initiation." This forms firm fraternal bonding and ensures their vow of secrecy is kept lest they incur retribution.
Most Skull and Bones families' wealth came from the American elites' share of the narcotics empire built by the crowned heads of Europe and their East India companies, raising huge crops of opium poppies in the provinces of Bengal, Madras, Odisha and Bihar for sale in China, primarily in the 18th and 19th centuries. CIA "black ops" are now largely funded through production and distribution of narcotics, principally opium (heroin) and coca (cocaine). U.S. wars in Vietnam and Afghanistan, as well as CIA mischief in Latin America, have been more about drugs than anything else. According to Wikipedia regarding opium, "Worldwide production in 2006 was 6,610 metric tons—about one-fifth the level of production in 1906." Wikipedia also reported, "World annual cocaine consumption, as of 2000, stood at around 600 tonnes, with the United States consuming around 300 t, 50% of the total, Europe about 150 t, 25% of the total, and the rest of the world the remaining 150 t or 25%."
Iouea and Grnsth, with exceptional powers of focus and meditation, began to concentrate their qi into enhanced essence jīng at the core of their framework. This jīng would be preserved for further conversion into shen, or spiritual energy. Consulting crystalized time-shrinking pointers of their DNA-linked quantum googol nano vectorizers, they correctly determined the rift's cause to be a vast Rahoz deception implemented over centuries, although a mere scintilla of universal time. The miscreants of these theurgies were Tsinoiz Learsi, its terror wings Tereyes Laktam and Dassom, all Choos, converts and usurpers of alleged demiurge El's nearly-extinct ancient choosen race. With sorcery and acumen they appropriated the monetary systems of all the major Western financial powers of tiny planet Earth and loaned each nation the specie capital it needed to function by extending their primary product—debt, which cost them next to nothing to produce, yet yielded scandalous fortunes. Progressively darker Kabbalic black art practice eventually ruptured normal space-time and chaotic anomalies ensued.
The raveling strands of distorted time were rewoven into a reasonable facsimile of the original with some remarkable differences in localized eddies. The patchwork overlapped a century and a half of what seemed to be the past for that region of the continuum, in essence rewriting history. In the reworked version, the American Civil War was averted by diplomacy, the Union remained whole and Abe Lincoln served 2 full terms. The robber baron era was abbreviated and Morgan, Warburg and House were unable to usher in another parasitic U.S. central banking system. Nor were the IRS or ADL simultaneously established. Austrian Archduke Ferdinand escaped his Black Hand assassin so there were no World Wars, Nazis, tsuacoloh or Nakba and peace reigned in Palestine. Adolf Hitler, whose father Alois was likely the bastard son of Baron Rothschild Salomon Mayer and Maria Anna Schicklgruber his housemaid, was merely an obscure painter who dabbled in toiletries. The United States remained a contiguous entity of 48 states and Hawai`i kept its beloved monarchy and sovereignty. Jack Kennedy also served 2 full terms under very different circumstances without a Cold War, Space Race or Dimona nuclear reactor to test his mettle or seal his fate. In this alternate timeline, Shrub family patriarch Samuel of Ohio didn't get any arms maker breaks that catapulted his son Prescott to fame, fortune and notoriety. The first baby boomer of the family and original Boy George favored bathtub artistry, but was such a sissy that his little brother JES had to protect him from other boys who often picked on him. Allyson Rosa de Lein, resplendent in a silk and satin gown, and Justin Timothy Case were married by Tad, assisted by his youngest two as ring bearer and flower girl, Maya Ann Adams as maid of honor and Chayyim Levy as best man.
During the ceremony, Chayyim read 3 passages from the Torah:
Genesis 1:26-28, 31a
Then God said, "Let us make humankind in our image, according to our likeness; and let them have dominion over the fish of the sea, and over the birds of the air, and over the cattle, and over all the wild animals of the earth, and over every creeping thing that creeps upon the earth." So God created humankind in his image, in the image of God he created them; male and female he created them.
God blessed them, and God said to them, "Be fruitful and multiply, and fill the earth and subdue it; and have dominion over the fish of the sea and over the birds of the air and over every living thing that moves upon the earth." God saw everything that he had made, and indeed, it was very good.
Genesis 2:18-24
Then the LORD God said, "It is not good that the man should be alone; I will make him a helper as his partner." So out of the ground the LORD God formed every animal of the field and every bird of the air, and brought them to the man to see what he would call them; and whatever the man called every living creature, that was its name. The man gave names to all cattle, and to the birds of the air, and to every animal of the field; but for the man there was not found a helper as his partner. So the LORD God caused a deep sleep to fall upon the man, and he slept; then he took one of his ribs and closed up its place with flesh. And the rib that the LORD God had taken from the man he made into a woman and brought her to the man. Then the man said, "This at last is bone of my bones and flesh of my flesh; this one shall be called Woman, for out of Man this one was taken." Therefore a man leaves his father and his mother and clings to his wife, and they become one flesh.
and Genesis 9:8-17
Then God said to Noah and to his sons with him, "As for me, I am establishing my covenant with you and your descendants after you, and with every living creature that is with you, the birds, the domestic animals, and every animal of the earth with you, as many as came out of the ark. I establish my covenant with you, that never again shall all flesh be cut off by the waters of a flood, and never again shall there be a flood to destroy the earth." God said, "This is the sign of the covenant that I make between me and you and every living creature that is with you, for all future generations: I have set my bow in the clouds, and it shall be a sign of the covenant between me and the earth. When I bring clouds over the earth and the bow is seen in the clouds, I will remember my covenant that is between me and you and every living creature of all flesh; and the waters shall never again become a flood to destroy all flesh. When the bow is in the clouds, I will see it and remember the everlasting covenant between God and every living creature of all flesh that is on the earth." God said to Noah, "This is the sign of the covenant that I have established between me and all flesh that is on the earth."
Allyson and Justin were eager to expand their family and soon thereafter began to multiply. Of course there were some problems and Maya, you won't be surprised to learn, led an amazing life, but those are tales for another time.
For all its pious pretension, religion has proven more a divider of humanity than a unifier, fomenting hatred for outsiders rather than instilling love, and negates spiritual nature instead of enhancing it. Extensive expert exegesis of most written scriptures revealed much of their arbitrary irrelevance. Various denominations most often fell into one of two categories: either their dogma was laudable but realistically unachievable or it was hopelessly archaic and manipulative. This resulted in the eventual abandonment of the three major Abrahamic faiths as well as Hinduism. Consequently, humanity and the rest of Earth's biological ecosphere of flora, fauna and a plethora of various microorganisms experienced a Golden Age of peace and prosperity. Needless to say, 9/11 simply never happened.
Thank you very much for reading our story!—Maya Adams, Justin Case and Allyson de Lein. ♥
Peace, Love & Aloha!
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Frank Vincent Dead: ‘Sopranos’ Star Dies at 78

This is the best tl;dr I could make, original reduced by 48%. (I'm a bot)
Frank Vincent, known for portraying Phil Leotardo on "The Sopranos," has died, his "Sopranos" co-star Vincent Pastore announced on Facebook.
John Gallagher, who directed Vincent in "Street Hunter" and "The Deli," also posted the news on Facebook.
Vincent began acting in 1976 when he co-starred in the low-budget crime film "The Death Collector" alongside Joe Pesci.
Vincent then acted in Martin Scorsese's "Raging Bull," which sparked the first of many collaborations between Vincent, Pesci, and Robert De Niro, including "Goodfellas" and "Casino."'.
Born in North Adams, Mass., and raised in Jersey City, N.J., Vincent often portrayed gangsters.
Vincent also acted in two of Spike Lee's films, "Do the Right Thing" and "Jungle Fever," as well as the movies "The Pope of Greenwich Village," "Wise Guys," "Night Falls on Manhattan," and "Shark Tale.".
Summary Source | FAQ | Feedback | Top keywords: Vincent#1 Soprano#2 acted#3 character#4 film#5
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worldnews Sir Ivan Rogers: Brexit talks to be on humongous scale - BBC News BBC
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todayilearned TIL that in 2013 Starbucks pledged to hire 10,000 veterans by 2018. Starbucks
food Homemade Bacon-infused Saurkraut with Bratwurst and Chicken Apple Sausages Apple
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Frank Vincent (Goodfellas, The Sopranos) Dies at 78

This is the best tl;dr I could make, original reduced by 30%. (I'm a bot)
Frank Vincent, who played the vicious mob boss Phil Leotardo on The Sopranos, has died.
Vincent died Wednesday of complications from heart surgery in New Jersey, according to reports from The Blast and TMZ. Vincent also portrayed tough guys for director Martin Scorsese in Raging Bull, Goodfellas - as the real-life Gambino gangster Billy Batts, he with the memorable line, "Go home and get your shine box!" - and Casino.
On HBO's The Sopranos, Leotardo often butted heads with James Gandolfini's Tony Soprano as he eventually rose to become boss of the Lupertazzi crime family.
"He had a job to do and he thought, you know, 'This Soprano guy is from Jersey, what does that mean? We are New Yorkers! The Jersey mob is nothing - they don't even prick their fingers when they do the ceremony.' Some of the writing for Phil was just brilliant."
A native of North Adams, Mass., Vincent was raised in Jersey City, N.J. and became a drummer, performing with the likes of Paul Anka, Del Shannon, Steve Lawrence & Eydie Gorme and Trini Lopez and the Belmonts.
Scorsese saw Vincent playing a gambler who gets killed by the mob in The Death Collector - the film starred Joe Pesci, who helped get him the role - then cast him alongside Pesci and Robert De Niro as Salvi in the iconic boxing movie Raging Bull.
Summary Source | FAQ | Feedback | Top keywords: Vincent#1 Jersey#2 Soprano#3 Phil#4 mob#5
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Joe Pesci Has Reportedly Turned Down Martin Scorsese's 'The Irishman'

This is an automatic summary, original reduced by 26%.
One of the biggest deals at the Cannes Film Festival this year was fledging studio STX ponying up a staggering $50 million for the international rights to Martin Scorsese's "The Irishman." It's a figure that matches the huge expectations that are greeting the movie, before a frame has been shot, that will see Scorsese potentially work with a cast including Robert De Niro, Al Pacino, Joe Pesci, and Harvey Keitel.
According to THR, Joe Pesci has reportedly turned down Scorsese's offer for a role in the movie.
Pesci has pretty much hung up his hat from acting, and hasn't appeared in a film since 2010's "Love Ranch," directed by Taylor Hackford.
Scorsese isn't the only offer that has come knocking on Pesci's door.
Can "The Irishamn" be made without Pesci? Definitely, but you have to bet that part of the reason STX plunked down $50 million was the allure of having the movie that would bring back the trio behind "Goodfellas," "Casino," and "Raging Bull." Not to mention it makes marketing a slam dunk as well.
For now, listen to Louis C.K. recount his meeting with Joe Pesci.
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[early game spoilers] Any Rockstar input on how Trevor is depicted in the game? I feel there's some implications behind his madness.

I'm only in the beginning of the game sorta. Just got to Trevor's intro missions and all this is based on that. So please mark the spoilers :(
Trying to find discussion about it cause I think there's a lot of food for thought. I'd especially like it if there were quotes from R* employees who were involved in making these characters.
Anyway, I also think Trevor is detestable. Is it proper to say he's a sociopath? He obviously has emotions and morals, but they're so fucked and hypocritical. He also goes off when he feels like someone is subtly insulting him. This is very similar to the roles Joe Pesci played in Scorsese’s Goodfellas and Casino. In addition, he openly embraces rampaging violence, chaos, and instilling fear. I’m wondering if the amount of people Trevor actually respect can be counted on two hands at most. Those he doesn’t respect though? I don’t think he sees them as people, or even human.
However I can play as him and still have fun doing so. In fact, I find it refreshing. That’s grim? Most definitely, but in a game where the player has the ability to go on murderous rampages for absolutely no reason at all with little consequence, a character fully embracing that reality (well…reality to him since he’s a character in this video game world) doesn’t really bother me. This is mainly because he’s one of three protagonists, and I find it fascinating he’s probably the only one of the three – and perhaps the only one of the GTA protagonists – who realizes there’s nothing to fear when going on a mass murdering spree through Los Santos. Franklin and Michael can do it just as easily but that would go against their characters. Trevor kills at least 25 people because one guy didn’t give him a sip of beer.
In the aforementioned mission (yes, it’s a mission that Trevor gets pissed at not getting his beer and goes batshit), Trevor’s special ability really shines. He does more damage and takes less. His bullets are practically one shot kills and clouds of blood erupt from his victim’s flesh when using the special ability. Also, his ability meter gets a recharge when he kills someone.
This makes Trevor is a murdering machine. And he knows this. If anything, Trevor embodies some players’ desire to go nuts and destroy everything. Because of how flagrantly violent and downright irrationally malicious he is, he makes sense. As a player, seeing a game character openly embrace the amount of agency he has in his world bestowed upon him since he’s one of my three avatars, it is jarring yet is so honest in all its detestable details. Trevor is awesome to play as and to watch interact with the world.
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Casino - Joe Pesci's death - HD - YouTube

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